Leave A Magical Moment Alone

By on August 15, 2017

Yes, I’m singing Billy Joel’s ‘Leave A Tender Moment Alone.’ (laughs)

I recently received the second round of edits for Seeking Vector, my October release, from my awesome editor ELF ( https://musingsbyelf.wordpress.com/ ). ELF loved the epilogue, told me it made her cry (which is a rare thing for editors). I immediately skipped to that chapter and re-read it. The temptation to tweak it was strong but I resisted that impulse.

Why did I stop myself from ‘improving’ the epilogue?

Because magical moments in our books are rare. They’re special, fragile, damn easy to destroy. One changed word can make them disappear. One added comma can throw off the pacing (and pacing is key for emotion).

I will correct spelling but, if a scene is magical, I’m very cautious about making other changes.

What is a magical scene?

I consider a magical scene to be one that makes the reader feel deeply in the way I intended them to feel. Clearly a reader laughing where she should be crying isn’t a great thing. I’ve done that. (sheepish grin) But if she laughs where I want her to laugh and cries where I want her to cry, THAT is wonderful.

That is also difficult to accomplish, which is why I leave those scenes alone.

That leads me to the next point.

You CAN over revise a story.

You know your routine better than anyone else and every writer is different but it IS possible to revise the magic right out of a story. I’ve added words and smoothed out sentences until all of the emotion was gone. Those stories are currently hidden under my bed and will never see the light of day.

This is why advice about the ‘right’ number of books to write in a year is so dangerous. If I wrote a story in two months and then spent ten more months revising it, that story would suck great hairy donkey balls. It might be perfect craft-wise but it would be emotionally flat.

That routine might work for another writer. It doesn’t work for me. It also doesn’t signify quality. Sometimes a scene is magical in the first hastily written draft. Sometimes a scene is magical after six rounds of editing. This is writing and there are no rules (and there is no logic to it either – grins).

If you’ve created a magical moment in your story, celebrate.

And leave that freakin’ scene alone.


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Dark Flight

His mission. His challenge. His forever.

Orol, the Refuge’s second-in-command, has been given what he believes is a simple mission—escort two human females to the settlement. The winged warrior arrives at the meeting site to find one of the females missing and the other aiming a gun at his head. To rescue the first, he must capture the second. Once he has Rhea in his talons, however, he realizes he never wants to let her go.

Her enemy. Her captor. Her everything.

Rhea doesn’t trust anyone. She certainly doesn’t follow commands issued by a gorgeous flying male with glittering eyes, a beautiful face, and a seductive touch. Orol is dominant, edged with darkness, and determined to find her sister. Rhea will do anything to prevent that, even if it means playing sensual games of submission with her powerful enemy, seducing him into forgetting everything except her.

Dark Flight is a STAND-ALONE SciFi Romance set in a gritty, dark world.

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