The Pantster’s Guide To Writing A Series

By on June 6, 2014

I’m a pantser, a writer who writes by the seat of her pants. Before starting a story, I usually know my characters, (maybe) have a glimpse at a first scene, know it will be an erotic romance, and that’s it. Yes, I can feel my plotter buddies twitching. It is chaos, I tell you, chaos! But I can’t write any other way.

I also write series, three or more stories set in the same world with characters who know each other. Sometimes there’s an overreaching story arc (defeating the big baddie or finding a man for Camille – grins). Sometimes it is a sexy brother type of series (there are three friends and I want them all to find love).

How do I write series when I don’t even know what the next scene in a story is?

It is similar to how I write a single story. With a single story, I know the ending. The two (or more) characters will find lasting love and be together. I don’t know how they’ll get there but I know that’s where the story is heading.

With a series, I have additional goals or destinations for my first (or second or third story). Yes, the two (or more) characters will be together but, in the case of the sexy brother series, at least one of the other characters will also be introduced.

In He Watches Me/He Touches Me/He Claims Me, Anna and Blaine end up together and are gloriously happy (well, as happy as our rather serious billionaire can be) but Camille, the heroine of Breaking All The Rules, is also introduced.

A story in a series with an overreaching story arc will have a third goal. At the end of the story, the two (or more) characters will be together, the main character in the next story will be introduced, AND there will be progression in the bigger mission.

How much progression?

It depends on how many stories I wish to have in the series. In the Warlord four story series, I knew I wanted all three brothers to find love. This meant at least a three part series. I also eventually wanted one of the Warlord brothers to face Tolui (the brother was supposed to kill him in the third story but Tolui refused to die). I chopped up this big end goal into smaller goals, progressively escalating the conflict and the stakes.

And this escalation is important. We’ve all read a toe curling first book in a series and wondered “How will the writer top THIS?” That’s what readers expect. If you blow up the Death Star in the first installment, you should do something even bigger or more shocking (like, say, announce that the big baddie the hero is trying to kill is dear ol’ dad) in the second installment. The conflict in the third story will be even BIGGER.

I’m a fan of circular story telling so often when crafting the final story in a series, I give a nod to the first story. Maybe I’ll mirror a scene or refer back to the first story. I also like to bring back or mention the previous couples (or more), giving readers some updates on them. This usually isn’t planned though. It is part of the pantsing magic.

Do you have some tips on writing series? What do you like about reading stories in a series?


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Nathan Lawford, Blaine Technologies’ chief financial officer, is known as the Iceman. He conducts his personal and business affairs without emotion, never allowing himself to become involved with anyone. When Nate sees something or someone he wants, he negotiates, paying a simple, set monetary price.

Now he wants Camille, the company’s green-haired intern.

Camille Joplin Trent never expected to be paid to pleasure the man of her dreams. She can’t quite figure out why this is a bad thing. Nate is intelligent, handsome, sophisticated, everything she’s ever wanted in a lover and never thought she could have. Their contract is for a month, thirty lust-filled days of making every sexual fantasy they’ve ever had come true. At the end of this month, the rules state their relationship will end.

Of course, Camille has never been good at following rules.

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