Writer’s Block Or The Causes Of Word Constipation

By Cynthia Sax on July 8, 2014

Some writers claim that there’s no such thing as writer’s block. They’ve written a gazillion stories and they’ve never suffered from it. That’s awesome. Good for them.

But, unfortunately, it is all too real. Just because these writers haven’t experienced it doesn’t mean it doesn’t exist. It is like love at first sight. Many people insist that isn’t real either. I thought the same way until I met my dear wonderful hubby. Heck, I mocked friends who experienced this phenomenon. Then the hubby and I fell in love at first sight. Bam. I was a goner, one of those besotted fools I once mocked. Twenty plus years later, we remain very much in love.

Writer’s block is less fun than falling in love at first sight. The words don’t flow. There may be a trickle or a complete stoppage.

Here are some of the sources of writer’s block and how I solve the issue (If you have your own solutions, please share them in the comments).

We’ve Run Out Of Story Ideas

We need a story for a call for submission (a publisher asking for types of stories) or a boxed set or a contest or (name your need here) and we have NO ideas, absolutely nothing. We look in our brain and it’s a barren wasteland, our imaginations parched and lifeless. We panic, worrying about our deadlines and thinking we’ll never have another great idea again. This makes matters even worse, diverting our creative juices to deal with our insanity.

THIS is what writing buddies are for. I keep a list of my top 100 story ideas. Perfectly good ideas drop off this list every damn day. I write light and the idea might be darker. I might not write in that genre. The idea is a little too mainstream for me. Whatever the reason, ideas drop off. I would be THRILLED to give you some of these ideas. I’d hand them to you happily. You likely won’t write them either but they might prompt another idea, a better idea (for you).

If your writing buddies are currently as insane as you are (hey, it happens), consider reading headlines, JUST the headlines. Guess the rest of the story. Or go to the mall and listen to conversations. Phone calls are the best for this as we only hear one side of the conversation. Take a book you love and play what if with some of the elements. What if Pride and Prejudice was set in a steampunk world? What if Mr. Darcy had a delicious secret he was trying to hide (maybe he’s scarred from a war or…)?

We’re Staring At A Blank Page

We have a story idea and now we don’t know where to start. We’re staring at the blank screen until blood drips from our ears and THERE ARE NO WORDS. Oh my God. What happens if there are NEVER any words?

When this happens to me (with every single story start – big sigh), I write down what I know. I already have my story idea. I’ll write that down. Voila! The screen is no longer blank. I have words and I’m writing. Hey, this isn’t so intimidating. I might have a glimpse of a scene or a tidbit of a conversation. I write that down also. I don’t expect to keep any of this. The idea is to start writing because usually when I start writing, I continue writing.

Usually.

Our Words Simply Stop

We’re zipping along, writing like madwomen, super excited about our stories, and the words simply stop. Can’t…Get…Past…This…Scene. We force ourselves to write because that is what many more experienced writers advise. This isn’t bad advice as long as we realize that all we’re doing is buying time to figure out what is wrong. These forced words will likely have to be scrapped.

Because we’ve made a wrong decision.

This is the number one reason why MY words stop (your reasons might be different). I’ve made a wrong decision for my characters. They know this. My brain knows this. But I’m stubborn as hell and determined to be right. I refuse to revisit it and my characters go on strike. The characters ALWAYS win and they should. If they know they’re doing something they wouldn’t, readers will know this also.

I go back to where the words were flowing in the manuscript and examine the following scenes. If I still can’t see the wrong decision, I’ll hand the manuscript to a writing buddy or I’ll talk it over with my dear wonderful hubby. Sometimes simply talking about it clears the issues up in my mind.

It could be something minor like the heroine’s motivation for an action isn’t right. In Sinful Rewards, I first thought that Bee was clothing obsessed because she cared what other people thought. Yes, she cares but the REAL reason she’s clothing obsessed is because she associates clothing with happiness. When Bee was young, her mom always looked tired and unhappy when she wore her cheap waitress uniform. As soon as I figured that out, the words flowed.

It could be something major like a lack of magic between a hero and a heroine. Writing romance is much like matchmaking. A couple might look good in theory but when we put them in the same room together, there’s no spark, no magic. I originally paired Camille from Breaking All The Rules with Michael. That was the grand plan. But when I got them together, there was NO interest, nothing, nada, zip. Then I introduced her to Nate and there was magic, that zing of sexual attraction. The trickle of words became a deluge.

We Don’t Want This Story To End

We only have one last scene to write. All of the plot threads have been wrapped up. We have that last lovey dovey scene to write and we’re done.

But we don’t want to write it because this means saying good-bye to the characters OR in the case of pantsers, we know what this last scene is. There will be very few surprises.

THIS is the scene I usually force myself to write. I tell myself that I’m writing a series (whether or not I am) and I will see this couple (or more) again. I like circular storytelling so I’ll focus on creative ways to reference the beginning of the story. I remind myself why this scene is important to my characters (it is their reward for surviving the story – grins) and readers (it is their sweet dessert at the end of the romance meal).

What are some of your techniques for dealing with writer’s block?


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Sinful Rewards 1

Cynthia Sax

Belinda “Bee” Carter is a good girl; at least, that’s what she tells herself. And a good girl deserves a nice guy—just like the gorgeous and moody billionaire Nicolas Rainer. He is everything she wants in a man.

Or so she thinks, until she takes a look through her telescope and sees a naked, tattooed man on the balcony across the courtyard. Hawke is mysterious, the bad boy she knows will bring only heartbreak. He has been watching her, and that makes him all the more enticing.

But when a mysterious and anonymous text message dares her to do something bad, she must decide if she is really the good girl she has always claimed to be, or if she’s willing to risk everything for her secret fantasy of being watched.

Is her mystery man the reclusive billionaire with a wild side or the darkly dangerous bad boy?

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