An Introvert’s Guide To Talking About Our Books (Self-Promotion)

By Cynthia Sax on January 25, 2017

Many writers, myself included, are introverts. We prefer not to talk. Period. Talking about our books is extra painful because they’re OUR books. That smacks of self-promotion.

The issue is if we don’t talk about our books, no one will know how kick ass they are. They won’t buy them. They won’t read them. I heard in a podcast that there are over 6,000 books a DAY loaded to Amazon. It is easy for our release to get lost.

When I first sent my stories to publishers, I thought my publishers would promote my stories. I was wrong. They simply don’t have the time or money to promote every book. Even the largest, most financially successful publishers have to pick their battles. Normally, they choose to promote their bestsellers. To become one of these bestsellers, we have to either promote our books ourselves or find someone else who will promote our books for us.

Notice I didn’t say self-promote.

Because when we promote our stories, we’re not merely promoting ourselves. We’re promoting our cover artists, our editors, our formatters, our publishers (if we have them), our agents (again, if we have them). We have a team behind our stories and this team benefits from the success of our books.

When I pimp Hers To Command on a Facebook group, for example, more folks see my awesome cover. Some of these folks are writers and publishers. They might hire Amanda (from http://razzdazzdesign.com/ ), my talented cover artist. If they buy and read the story, they might hire ELF ( from https://musingsbyelf.wordpress.com/ ), my skilled editor, or Mark (from http://marksebookformatting.com/ ), my always-current-with-the-trends formatter.

These wonderful members of my team are counting on me to promote my stories. They do well when my stories do well. I can’t let them down.

This is what I tell myself as I promote my stories. I have an amazing team behind me. They deserve recognition and the best way I can give them that is to talk about my stories.

Another thing I tell myself when I promote my stories is… I’m not spamming the world. I’m telling ONE reading/writing/reviewing/blogging buddy about my story. Using the Facebook group example, I’ll look at the Members section (in the top right hand corner). Facebook shows me common friends.

I’ll focus on one of these friends. I’m not telling the group about Hers To Command. I’m telling Jannie. She likes my cyborgs. I tell her everything. And I know she’d be sad if I didn’t tell her about my upcoming release. I certainly don’t want Jannie to be sad. She’s my friend. So this post is for her. Because I love her and I think she’ll enjoy the story.

The post is no longer spamtastic. I’m not ‘bothering’ anyone (one of my great fears). I’m talking with my buddy. If someone complains (which is very rare – Romance readers love to hear about upcoming romance releases, especially releases writers are excited about), well, the message wasn’t meant for that unhappy person. It was meant for my friend.

That leads me to my final point. It is OKAY to be excited about our upcoming releases. That whole jaded, cynical, seen-it-all act? It’s cheating you out of joy and it isn’t fooling anyone.

Be happy. Tell the world. Share why you HAD to write this story, why you can’t wait for us to read it. Follow the promo rules but let your enthusiasm show. Get giddy. Happy dance.

Your stories deserve to be read. Tell folks about them!

***

Subscribe To My Monthly Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Three Battered Hearts. One Perfect Love

Ace and Thrasher share a special bond. They’ve never acknowledged that connection and have never fully acted on it. The Humanoid Alliance kill cyborg males like them, deeming the warriors to be defective. Now that Ace and Thrasher have escaped, they don’t trust the cyborg council and their brethren to react any differently. Physical love is too risky for them to consider.

Until they meet her.

Carys is the Commander of a Rebel Battle Station. She has dedicated her lifespan to seeking vengeance against the Humanoid Alliance and the cyborgs who killed her daughter. On her battle station, she makes the rules, and if she wants to kiss, touch, and pleasure two mysterious warriors, she will. Nothing, not even enemy warships and a mass cyborg rebellion, can stop her.

In the midst of a war, enemies can become lovers and loyalties can change in a moment. Can a forbidden relationship between two cautious cyborgs and one unbending human Commander survive?

Hers To Command is Book 8 in the Cyborg Sizzle series.
Due to the number of returning characters in this story, you’ll enjoy Hers To Command more if you’ve read the other stories first.
This is a MMF BBW Cyborg SciFi Romance.

Pre-order Now:

Amazon US: https://www.amazon.com/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Amazon UK: https://www.amazon.co.uk/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/hers-to-command/id1179869260

B&N: http://www.barnesandnoble.com/w/hers-to-command-cynthia-sax/1125247346

Kobo: https://www.kobo.com/ca/en/ebook/hers-to-command-6

Topics: Writing Tips | 1 Comment »

One More Solution To The Cast Of Thousands Problem

By Cynthia Sax on January 20, 2017

A popular Romance writing guideline, I try to follow, is to reduce the number of minor characters in a scene as much as possible. Every minor character takes page time away from the romantic couple (or more). He/she shifts the reader’s focus from them permanently. For the rest of the story, the reader has to remember this minor character.

Reducing the number of minor characters isn’t always possible. In Hers To Command, the heroine is a battle station Commander. She works with over a dozen direct reports (her Officers). I wanted to show her in this role, in charge, in her realm of power. That meant interacting with these minor characters. It would look bizarre if she strolled onto the bridge and was completely alone. (grins)

When I wrote the first draft, I gave all of these direct reports first and last names. They also had positions, which I often linked to these names to clarify what they did. It became an unwieldy mess. Halfway through writing the story, I was completely confused.

That got me thinking… if I’m confused, what is the Commander feeling? She’s often in high stress situations, battles to the death. Every moment counts. When she gives an order, she can’t issue it to the wrong being.

At the beginning of the story, she’s also on the losing side of the war. There’s constant turnover in her personnel because not everyone survives every battle. She has to learn names again and again, which would increase the risk of getting names wrong.

The solution I derived was to refer to all of her direct reports by their position only.

Here is a snippet from the story…

***

“Do you detect any activity, First?” Carys knew the female’s name, knew which small planet her officer had originated from, knew she had lost her mother, father, two sisters and two brothers in a Humanoid Alliance attack.

But she never used her first officer’s name. Carys had made that mistake once, solar cycles ago, when she was a warship captain.

Beings died in war. That was the unfortunate reality. Her officers were constantly changing, the dead being replaced with the living.

During an attack, she’d referred to her weapons officer by his predecessor’s name. The correction and the delay it had caused, slight yet significant, had resulted in a crew member’s death.

From that moment onward, she referred to beings by their position, by their function. That policy appeared cold and impersonal to outsiders. Carys didn’t care. She was interested in ending a war, not winning a popularity contest.

***

Looking at the cast of thousands issue from the main character’s point of view might give you solutions you haven’t yet considered. Hey, it worked for me. (grins)

How have you solved this common problem?

***

Subscribe To My Monthly Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Three Battered Hearts. One Perfect Love

Ace and Thrasher share a special bond. They’ve never acknowledged that connection and have never fully acted on it. The Humanoid Alliance kill cyborg males like them, deeming the warriors to be defective. Now that Ace and Thrasher have escaped, they don’t trust the cyborg council and their brethren to react any differently. Physical love is too risky for them to consider.

Until they meet her.

Carys is the Commander of a Rebel Battle Station. She has dedicated her lifespan to seeking vengeance against the Humanoid Alliance and the cyborgs who killed her daughter. On her battle station, she makes the rules, and if she wants to kiss, touch, and pleasure two mysterious warriors, she will. Nothing, not even enemy warships and a mass cyborg rebellion, can stop her.

In the midst of a war, enemies can become lovers and loyalties can change in a moment. Can a forbidden relationship between two cautious cyborgs and one unbending human Commander survive?

Hers To Command is Book 8 in the Cyborg Sizzle series.
Due to the number of returning characters in this story, you’ll enjoy Hers To Command more if you’ve read the other stories first.
This is a MMF BBW Cyborg SciFi Romance.

Pre-order Now:

Amazon US: https://www.amazon.com/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Amazon UK: https://www.amazon.co.uk/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/hers-to-command/id1179869260

B&N: http://www.barnesandnoble.com/w/hers-to-command-cynthia-sax/1125247346

Kobo: https://www.kobo.com/ca/en/ebook/hers-to-command-6

Topics: Writing Tips | 1 Comment »

Pushing Boundaries With Your Writing

By Cynthia Sax on December 28, 2016

One of my mottos is… “If you’re not living on the edge, you’re taking up too much space.” I believe in pushing boundaries with my writing, trying things I haven’t yet tried, writing stories I haven’t seen available for sale.

Knowing Where The Boundaries Are

What ARE the boundaries?

The booksellers have boundaries. For example, many state there are to be no child abuse, incest, rape or bestiality (excluding shifters) scenes depicted as ‘sexy times’ (i.e. the goal isn’t to be sexual gratification). Be especially careful of these boundaries if you write erotic. The more explicit the scene, the greater the chances the book will be removed.

Many boundary-pushing writers cite Lolita as a book that is taboo yet sold at booksellers. Vladimir Nabokov was never graphic in his language. He uses imagery heavily. I think this is what makes this story allowable. The booksellers view the story as artistic, not pornographic.

Genres, subgenres and niches also have boundaries. Some boundaries are ‘hard’. The definition of romance is a romantic happy ever after or happy for now ending. Kill the hero and your story is no longer a romance. Some boundaries are ‘soft’. A hero, for example, usually only kills good guys on the page.

One of the reasons writers advise newer writers to read is because that’s a great way to learn where the boundaries are. If no one cusses in any of the Inspirational Historical Romances you read, for example, you know cussing might be taboo for that niche.

I normally write balls to the wall during the first draft and then self-censor (or not!) during the subsequent drafts.

Crossing a boundary at the publishing stage should be a conscious decision.

Why?

Because crossing boundaries can have consequences.

The Risks Of Crossing A Boundary

The boundaries are there for a reason. Someone, either the reader or the bookseller, likes having them in place. Cross a boundary and you’ll upset someone. Cross multiple boundaries in one story and you might upset everyone.

That isn’t necessarily a bad thing. But we should know the possible downsides.

When I Indie published Releasing Rage, I knew I was taking a chance not only with readers but also with booksellers. Bad things happen to the heroine. Even though these bad things happen off page and are clearly depicted as an act of violence, not titillation, the booksellers could have removed the story. They have that right. It is clearly stated in their terms of service.

I took that risk. The booksellers didn’t remove the story. I’m certain it was reported. I’m certain someone at Amazon reviewed the story. They must have decided the scene was acceptable.

Other buddies have had to remove offending scenes or craft new covers or change book descriptions or remove tags. Their stories were temporarily removed until they were deemed compliant. In some cases, there was no tweaking the stories to satisfy the booksellers. Perhaps the stories centered around the offending action. The writers either decided to publish it on another platform (marketing it as ‘too hot for XXX bookseller’) or they shelved the stories.

If your story pushes bookseller boundaries, assume it will be reported and evaluated. The better your sales, the quicker your story will be reported.

You will also receive 1 star reviews and angry messages from readers. I received plenty of both for Releasing Rage. I saw them as confirmation I was doing something different in the cyborg space.

The Upside

There are some glorious upsides to pushing boundaries. It is artistically freeing to write our stories exactly the way we want to write them. We have the excitement of being first. Hopefully, some readers will love it.

For a short time (a day or two or sometimes more), we’ll have the only story in that space, have zero competition. We’re doing something different and that is likely to be discussed with bloggers and reviewers, giving the book some much needed promo.

Many breakout books push boundaries in some way. Life is too short to play it safe. (grins)

***

Subscribe To My Monthly Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Three Battered Hearts. One Perfect Love

Ace and Thrasher share a special bond. They’ve never acknowledged that connection and have never fully acted on it. The Humanoid Alliance kill cyborg males like them, deeming the warriors to be defective. Now that Ace and Thrasher have escaped, they don’t trust the cyborg council and their brethren to react any differently. Physical love is too risky for them to consider.

Until they meet her.

Carys is the Commander of a Rebel Battle Station. She has dedicated her lifespan to seeking vengeance against the Humanoid Alliance and the cyborgs who killed her daughter. On her battle station, she makes the rules, and if she wants to kiss, touch, and pleasure two mysterious warriors, she will. Nothing, not even enemy warships and a mass cyborg rebellion, can stop her.

In the midst of a war, enemies can become lovers and loyalties can change in a moment. Can a forbidden relationship between two cautious cyborgs and one unbending human Commander survive?

Hers To Command is Book 8 in the Cyborg Sizzle series.
Due to the number of returning characters in this story, you’ll enjoy Hers To Command more if you’ve read the other stories first.
This is a MMF BBW Cyborg SciFi Romance.

Pre-order Now:

Amazon US: https://www.amazon.com/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Amazon UK: https://www.amazon.co.uk/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/hers-to-command/id1179869260

ARe: https://www.allromanceebooks.com/product-herstocommand-2178067-340.html

B&N: http://www.barnesandnoble.com/w/hers-to-command-cynthia-sax/1125247346

Kobo: https://www.kobo.com/ca/en/ebook/hers-to-command-6

Topics: Writing Tips | No Comments »

Comparing Ourselves To Other Writers

By Cynthia Sax on December 21, 2016

It’s human nature to compare ourselves to others, to reassure ourselves that we’re ‘normal’ (whatever that is – grins). Many writers will tell you not to do that. They’ll point out that comparing yourself to other writers will cause you unhappiness.

I’m not going to tell you that. I think it’s impossible to stop comparing ourselves to others. It would also be hypocritical of me because I compare myself to other writers ALL THE TIME.

I AM going to tell you that you shouldn’t feel bad after the comparison.

Why?

Because you don’t know the entire story.

The Successful First Time Writer

This is the comparison that would bother me the most.

Years ago, a writer released her first book, coming out of nowhere. She sold a gazillion copies, was beloved by (almost) every reviewer in Romanceland.

I had 50 plus releases and was still struggling for my first 100 readers. I wouldn’t have received media attention if I had set myself on fire.

Then I found out… that ‘first time writer?’ She was a HUGE bestselling writer secretly trying out a new subgenre under another pen name. She had over 30,000 newsletter subscribers, which she leveraged for that release (putting an ad in her own newsletter). She knew and was liked by almost everyone in the business (including myself).

E.L. James, another bestselling first time writer? She had TV experience, had brilliantly leveraged the fanfic community, is a savvy marketer.

Luck is almost always an element in every writer’s success but, time after time, when I delved into backgrounds, there was usually something else, something I might or might not have been able to duplicate.

What IS Success?

Then there’s the discussion around what success truly is. Is it hitting the bestseller lists? Is it being beloved by reviewers? Is it having the largest readership? Is it making a great income?

Often these definitions of success don’t co-exist.

When I first started, I thought every writer on the bestseller lists (USA Today or New York Times) was making six figures. (grins) Yes, stop laughing.

Sometimes (rarely), that’s true. Often it’s not. I’ve hit the USA Today Bestseller List twice. Both times, my earnings didn’t cover my costs. You read that correctly. I hit the lists and lost money.

I know writers with New York Bestseller above their name who can’t cover their writing costs. And I know writers who have never made a list and they quietly sell a steady number of books each and every day. Those sales add up to an almost obscene income.

Some of the bestselling writers aren’t the darlings of the influential reviewers. Some of the writers with the highest incomes don’t have the largest readerships.

We can’t determine this by glancing at the lists or rankings or bios.

This is true of other goals also, including word counts. I write 2,500 fresh words a day but I require 12 drafts. My buddy writes 500 fresh words a day but she requires 1 draft. Word count alone isn’t an indication of a successful day writing.

Why Compare Ourselves To Other Writers?

If we never see the entire picture, why compare ourselves at all?

First, I don’t think we can stop comparing ourselves to others. I certainly can’t.

Second, sometimes when I delve deeper into successes, I learn tactics I can use with my own career. Writers, especially in Romanceland, are often open about what they think contributed to their successes. Maybe there was a change at a bookseller I didn’t know about. Maybe there was a promotion I hadn’t considered. Maybe there was a trend I wasn’t aware of.

Compare yourself to other writers but, keep in mind, you don’t know the entire story.

You Are Someone Else’s Success

And keep in mind that someone is comparing herself to you.

One of my sisters is a reader only. She has always envied my ability to write, even when that writing was done in a lemon-scent diary. When I was writing part-time, I envied anyone who finished stories. When I finished my first story, I envied anyone who received a request from a publisher or agent.

There is someone in Romanceland who considers you a success. She’s comparing herself to YOU. Remember that when you’re comparing yourself to another writer.

***

Subscribe To My Monthly Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Three Battered Hearts. One Perfect Love

Ace and Thrasher share a special bond. They’ve never acknowledged that connection and have never fully acted on it. The Humanoid Alliance kill cyborg males like them, deeming the warriors to be defective. Now that Ace and Thrasher have escaped, they don’t trust the cyborg council and their brethren to react any differently. Physical love is too risky for them to consider.

Until they meet her.

Carys is the Commander of a Rebel Battle Station. She has dedicated her lifespan to seeking vengeance against the Humanoid Alliance and the cyborgs who killed her daughter. On her battle station, she makes the rules, and if she wants to kiss, touch, and pleasure two mysterious warriors, she will. Nothing, not even enemy warships and a mass cyborg rebellion, can stop her.

In the midst of a war, enemies can become lovers and loyalties can change in a moment. Can a forbidden relationship between two cautious cyborgs and one unbending human Commander survive?

Hers To Command is Book 8 in the Cyborg Sizzle series.
Due to the number of returning characters in this story, you’ll enjoy Hers To Command more if you’ve read the other stories first.
This is a MMF BBW Cyborg SciFi Romance.

Pre-order Now:

Amazon US: https://www.amazon.com/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Amazon UK: https://www.amazon.co.uk/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/hers-to-command/id1179869260

ARe: https://www.allromanceebooks.com/product-herstocommand-2178067-340.html

B&N: http://www.barnesandnoble.com/w/hers-to-command-cynthia-sax/1125247346

Kobo: https://www.kobo.com/ca/en/ebook/hers-to-command-6

Topics: Writing Tips | 1 Comment »

Dealing With Writer Burnout

By Cynthia Sax on December 14, 2016

When I first started publishing my stories, I thought writer burnout was a myth. Writing is fun. How could I get tired of a fun task?

Seven years later, I can assure you—younger me was an ignorant asshole. Writer burnout is VERY real. Do any task 16 hours a day, 7 days a week and it can become work. Unfortunately, almost every writer deals with writer burnout at least once in her/his life.

I know I’m getting burned out when I dread the writing. I’m tired all the time and feel overwhelmed about everything. I get every flu that is going around. I become snippy with readers and other loved ones and, well, just about everyone.

The Number One Cause

The number one cause of writer burnout is overcommitting to projects. It is tempting to participate in every project offered to you. Caution! Caution! That way lies burnout. It is much better career-wise to participate in a manageable number of projects forever than to binge on projects, get burned out, and stop writing for months or years or, in the case of a dear friend, decades.

The Fear Of Missing Out

You can’t participate in every project. You simply can’t. Have I regretted saying ‘no’ to some projects? I’m not going to blow smoke up your ass. Of course, I have. The first boxed set I was asked to participate in hit both the New York Times and the USA Today Bestseller Lists. I turned that opportunity down.

But most opportunities come around again. I’ve, since then, participated in two boxed sets that hit the USA Today Bestseller List. I’ve been offered spots in other boxed sets that made both lists.

The Fear Of Falling Behind

Another reason we hesitate to say ‘no’ to projects is the fear of falling behind. XXX is releasing a story a month. If I release a story every 3 months, I’ll fall behind. I’ll only have a third of XXX’s success.

Success in Romanceland doesn’t work that way. Fifty Shades of Grey’s E.L. James has released 4 books over the past 5 years. Yep, less than a book a year. Very few writers have a readership rivaling hers.

I have a much larger readership now than I did when I was producing a story a month. With a release a month, I didn’t have time to talk about my books. I was releasing stories but I didn’t tell anyone about them. Readers have to know about our books in order to read them.

Promotion can have a huge influence on success. The number of stories released every year? Not-so-much.

Pressure From Readers

If one of your stories is well loved by readers, you will likely be pressured to write another story in the series. Readers always want this story as soon as possible. Why wouldn’t they?

But they’ll wait for it. Most readers will choose a slow release time on quality story over a fast turnaround time on a shitty story. (Note: You CAN write a quality story in a short length of time but that’s usually not possible to do when you’re burned out and brain dead.) Romance readers, in particular, want to read new stories from their favorite writers for decades. They’ll accept longer delays between releases to ensure that happens.

Know Your Ideal Pace

Figure out what a comfortable schedule looks like for you (this ideal schedule will likely change over time).

Right now, my comfortable schedule is a 56k/200 page story releasing every 3 months. For promotion, it is 1 Facebook party a week, 3 blog posts a week, promoting on 10 Facebook groups a day, 1 newsletter a month, etc.

This is what I commit to. This is what others can count on me producing. If I want to release a story in a series every three months, this means I can only have one series on the go.

If I’m approaching burnout, THIS is the core schedule I’ll dial back to.

If I get ahead of this schedule, I’ll take on another project. Right now, I have February’s release (Hers To Command) already written, edited and available for pre-order. The next core story isn’t releasing until May (my 3 month schedule). Having time and energy, I wrote Dark Thoughts, Kralj’s story. If I had been burned out, I would have taken time to recuperate between the committed stories instead of writing that extra story.

That’s one of the many wonderful things about this career. You’re in control. You can craft the career YOU want.

If one story a year is your comfort zone, produce one story a year. You can easily promote that story for 12 months. Unless your story has sold more than 125 million copies (the number of copies Fifty Shades Of Grey has sold), you haven’t sold your story to every reader in Romanceland.

You’re Already Over Committed

What happens when you’re looking at writer burnout and you’ve already committed to more projects than you can handle?

Can Deadlines Move?

Some deadlines are set in stone. Some can move. Ask if the deadlines are flexible.

Note: If you’re going to miss a deadline, communicate the situation as soon as possible. That might save your relationship with that person or publisher.

Outsource Everything You Can

An awesome editor once told me that she could help a writer with edits and subsequent drafts but the first draft had to be written by the writer. That’s just about the only thing we can’t outsource.

Cover, formatting, promo, newsletters, all of these things can be completed by other people. You can pay these awesome folks or you can call in favors. Much of Romanceland runs on favors, asking for them and granting them.

You’re Normal

Every writer you know has either had writer burn out or they will have writer burn out. They might look like they have their shit together. They likely don’t.

If my tips don’t work for you, ask other writers for their tips. Eventually you’ll find something that jives with your unique brain.

Take care of yourself!

***

Subscribe To My Monthly Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Three Battered Hearts. One Perfect Love

Ace and Thrasher share a special bond. They’ve never acknowledged that connection and have never fully acted on it. The Humanoid Alliance kill cyborg males like them, deeming the warriors to be defective. Now that Ace and Thrasher have escaped, they don’t trust the cyborg council and their brethren to react any differently. Physical love is too risky for them to consider.

Until they meet her.

Carys is the Commander of a Rebel Battle Station. She has dedicated her lifespan to seeking vengeance against the Humanoid Alliance and the cyborgs who killed her daughter. On her battle station, she makes the rules, and if she wants to kiss, touch, and pleasure two mysterious warriors, she will. Nothing, not even enemy warships and a mass cyborg rebellion, can stop her.

In the midst of a war, enemies can become lovers and loyalties can change in a moment. Can a forbidden relationship between two cautious cyborgs and one unbending human Commander survive?

Hers To Command is Book 8 in the Cyborg Sizzle series.
Due to the number of returning characters in this story, you’ll enjoy Hers To Command more if you’ve read the other stories first.
This is a MMF BBW Cyborg SciFi Romance.

Pre-order Now:

Amazon US: https://www.amazon.com/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Amazon UK: https://www.amazon.co.uk/Hers-Command-Cyborg-Sizzle-Book-ebook/dp/B01N0I7X49/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/hers-to-command/id1179869260

ARe: https://www.allromanceebooks.com/product-herstocommand-2178067-340.html

B&N: http://www.barnesandnoble.com/w/hers-to-command-cynthia-sax/1125247346

Kobo: https://www.kobo.com/ca/en/ebook/hers-to-command-6

Topics: Writing Tips | 4 Comments »

Do You Have To Publish Every Story You Write?

By Cynthia Sax on November 21, 2016

I don’t publish every story I write. Yes. I heard that gasp. There’s a myth in the writing world that professional writers, writers who earn or try to earn a living through their stories, HAVE to publish every story they write.

Why write stories if they won’t be read by readers?

There are numerous reasons why writers would and perhaps should write stories readers will never read. The stories I write only for myself are normally not at all marketable. They are ideas that are so far out there; I’m likely the only person who would find them interesting.

I write them quickly, briefly to get them out of my mind and to satisfy my creative urges. Because they will never be published, there’s no need to complete the dozen or so drafts to get them to submission level. There’s no need to send them to my editor, to pay for that awesome editor, to spend more time on two or three additional drafts. I don’t have to worry about formatting or covers or blurbs or marketing. These stories are for my eyes only, written purely for the joy of writing them.

When we talk about branding in the writing world, about sticking to one niche and publishing stories only in that niche, many writers push back, saying they couldn’t write only in one niche. It would stifle their creativity. They don’t realize that publishing in one niche and writing in one niche are two very different things.

Write in a variety of niches. Publish only the stories in one of those niches. Bam. You’re known for a niche. You’ll build a brand and a readership around it. Yet you have total creative freedom.

Writers might be under contract with publishers and restricted as to which stories they can write (this usually ties into branding). XXX Publisher has first dibs on the writer’s next YYY stories and that publisher only wants contemporary romances or they only want the axe murderer series or they only want heroines with blue eyes and brown hair. Writing other stories for our personal enjoyment makes that contract creatively bearable.

It also prevents series burnout, which is a VERY real thing for writers. I LOVE my cyborg series. I plan to concentrate on it in 2017. It is very important to me to bring readers of this series fresh, interesting stories. Sometimes the best way to do that is to take a creative vacation from the series. I spend a week writing something completely different, something strange, something weird. Then I come back, excited, enthused, my brain brimming with different ways to approach the next story.

Sometimes I’ll write a story merely to test a technique or a style or a type of character/setting/tone. Do I feel comfortable writing this? Do I enjoy writing this? Does it work in a story? I might test a number of things in one story. That story will be a mess but I’ll often discover something I can use in a more marketable story.

Sometimes the exact opposite thing happens—we end up with a new story or series. Releasing Rage was written only for me. No one was interested in publishing it. I wrote it anyway. I believed in it and I decided to self-publish it. If I hadn’t given myself permission to write a story only for my own enjoyment, it wouldn’t have been written.

You don’t have to publish every story you write.

***

Subscribe To My Release Day Newsletter To Receive A Notification Of When Jumping Barrel Releases: http://tasteofcyn.com/2014/05/28/newsletter/

He requires an Expert. She needs a hero.

Barrel requires an Expert for the Tau Cetian orphans. He’s looking for a female who is willing to commit to a lifespan-long role, who is comfortable with moving off planet, and who, preferably, has the ability to speak the offsprings’ first language.

Nola wants the role Barrel is offering so badly she bends a few truths. Yes, she was born off planet but she has lived almost all of her lifespan in sheltered Academies. Yes, she has learned Tau Cetian but she has never spoken with a local. Yes, she plans to follow the rules but his deep, sexy voice tempts her to rebel.

When a fact-morphing human academic meets her battle-worn cyborg warrior, deceptions are revealed, passions flare, and circuits sizzle. Wrong seems right. Lies turn into truth. The candidate least qualified for the role becomes the one candidate Barrel can’t let go.

Jumping Barrel is a short companion story in the Cyborg Sizzle series and is meant to be read after Releasing Rage, Breathing Vapor and Crash And Burn.
It is also a BBW Cyborg SciFi Romance.

Coming For FREE In December 2016

Note: Amazon doesn’t allow me to list stories for free. I have to list Jumping Barrel for 99 cents and then ask them to price match it to other booksellers. This story was written as a gift for you. Please wait until the price is reduced to ZERO i.e. FREE before ‘buying’ it. Save your dollar for my next release (in February).

Subscribe To My Release Day Newsletter To Receive A Notification Of When Jumping Barrel Releases: http://tasteofcyn.com/2014/05/28/newsletter/

Topics: Writing Tips | 3 Comments »

Westworld, The Power Of Unanswered Questions And Sagging Middles

By Cynthia Sax on November 2, 2016

I LOVE HBO’s Westworld (androids in a wild west world? Sign me up!). It is my newest addiction. But this week’s episode left me feeling a bit dissatisfied. It took me some time to figure out why.

There are too many unanswered questions.

Unanswered questions are a powerful writing tool. It is why readers turn pages—to find out the answers. An awesome first page or first paragraph or first line raises a question in the reader’s mind.

The first line to Stephenie Meyer’s Twilight is “I’d never given much thought to how I would die–though I’d had reason enough in the last few months-but, even if I had, I would have never imagined it like this.”

How is the heroine going to die? Why is the heroine dying? I HAVE to continue reading to find out the answers. Once I have these answers, I’ll stop reading.

UNLESS there are more questions I want answers to. Then I will continue reading to find out THOSE answers.

The biggest questions at the beginning of a story are around backstory. Why is the heroine doing what she’s doing? What makes her think this way? Why does she have X as a goal?

This is one of the reasons why many editors don’t like prologues or early story backstory dumps. They could eliminate this huge incentive for readers to continue reading. If I’m told on page one how Bella is going to die and why she’s dying, I have no reason to read page two. It is a waste of an absolutely wonderful first line.

In Romance, the big question readers are seeking the answer to is ‘Is the couple (or more) going to achieve their happy ever after or happy for now?’ This is why often the couple (or more) doesn’t exchange ‘I love you’s until the end of the story.

If they DO say that phrase earlier in the story, a skilled writer will ensure readers know the happiness won’t last. Maybe one of them still has a relationship-destroying secret or the killer is lurking outside their bedroom or they love each other but there’s no way for them to be together.

So you’re likely wondering… If unanswered questions are powerful, why am I dissatisfied with Westworld’s gazillion unanswered questions?

Because I can’t keep track of them. My mind can only handle so many unanswered questions before I get frustrated. My rule of thumb is… if I lose track of my own unanswered questions while writing a story, I have way too many of them.

This doesn’t mean we can only raise the same 3 or 4 unanswered questions throughout a 100,000 word/400 page story. That would be challenging and a bit boring.

What we CAN do is answer some of those questions and then ask different questions.

At the beginning of Releasing Rage, while writing this story, I asked myself if Joan, our heroine, would ever be assigned to a cyborg. (question raised) She was. (question answered) Why was she assigned to a cyborg? (another question raised) The last human assigned to the cyborg was killed. (question answered) Would she survive being assigned to this cyborg? (another question raised – this question remains for almost all of the story)

One of the things Game of Thrones (the show) does quite well and quite brutally is answer unanswered questions. When the storylines become too complicated, they kill everyone off in a storyline and simply eliminate it. Then they raise more questions.

We don’t have to be that bloodthirsty. We can simply answer the damn question. We can give the heroine the job she thinks will solve all of her problems but then ensure that job causes her MORE problems. We can allow the hero to escape one mess to step knee deep into another bigger mess. I really like it when the answer to the question makes the situation worse, not better. That’s a lot of fun to write and to read.

Giving readers answers to questions throughout the story creates a sense of movement and a feeling of satisfaction. Shit is getting done. (grins) Often when readers comment that ‘nothing happened’ in a story, they are truly saying that no answers are given and no new questions are raised (mid story or at all).

When we, writers, face a sagging middle, it can mean the same thing-we need to answer questions and raise new ones. This is often the reason for mid story boredom. If you, as a writer, find you can’t finish stories, look at your unanswered questions. Do you have any? Do you have too many? Do you lack answers? Talk to other writing buddies (like myself) and brainstorm both answers AND questions.

Unanswered questions are powerful. Use them wisely.

***

Subscribe To My Release Day Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Wild. Free. Hers.

Mayhem has spent his lengthy lifespan obeying the Humanoid Alliance’s rules. Finally free from their cruel control, the cyborg warrior plans to cause chaos. He infiltrates a remote settlement, provokes the savage locals until they want him dead, and allows himself to be captured by the sexiest little Retriever he has ever laid his mechanically-enhanced eyes on.

Imee’s sole mission in life is to keep her family alive. To do this, she must hunt rebels, returning them to the Humanoid Alliance’s evil clutches where they will be executed. She doesn’t allow herself to feel anything for her targets…until she meets a tall, muscular cyborg with wild hair and even wilder eyes.

With his sure hands, laughing lips and erotic holds, Mayhem makes Imee’s body sizzle and her resistance melt. Their love is doomed. She must deliver the warrior to his death or she’ll place her family’s safety at risk. But she can’t resist him.

Imee soon discovers that Mayhem, life, and love are never predictable.

Chasing Mayhem is Book 6 in the Cyborg Sizzle series and is a STANDALONE story.
It is also a BBW Cyborg SciFi Romance.

Buy Now:

Amazon US: https://www.amazon.com/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY#nav-subnav

Amazon UK: https://www.amazon.co.uk/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/chasing-mayhem/id1136333685

ARe: https://www.allromanceebooks.com/product-chasingmayhem-2077430-340.html

B&N: http://www.barnesandnoble.com/w/chasing-mayhem-cynthia-sax/1124139998

Kobo: https://store.kobobooks.com/en-us/ebook/chasing-mayhem

Topics: Writing Tips | 1 Comment »

Why Your Favorite Writer Isn’t Writing And Other Reader Irritations

By Cynthia Sax on October 5, 2016

I was chatting with a reading buddy, telling her I couldn’t wait to finish the first draft of Hers To Command and find out how that story ends. She asked me why I wasn’t writing. Why didn’t I simply hunker down and finish it?

I can’t. My brain is dead.

Why Is Your Favorite Writer Spending Time On Facebook When She Should Be Writing?

Welcome to the wonderful yet wacky world of writer brains aka the muse.

That is truly what the muse is—a code word for the way an artist’s (very) peculiar brain works. And all of our brains work differently. I can write about 2,500 fresh words or 10 fresh pages a day. At that point, the creative part of my brain is zapped. There’s nothing in there. The hamster is dead. My Dear Wonderful Hubby will ask me to write a message in a mutual friend’s birthday card and I’ll have nothing, no words.

I’ve tried to write when my creativity has been sucked dry. (winces) It wasn’t pretty. Those forced words not only had to be discarded but they severely damaged my flow. It slowed my writing. It didn’t speed it up.

I’ve learned to step back at that point and do other things like revise stories, stare up at the ceiling, looking for new plots there, and yes, play around on Facebook.

Every writer has a different limit. One of my buddies hits the wall at 10,000 words or 40 fresh pages a day. Yeah, she’s a machine.

Some writers binge write. That’s how their muses work. They go into the writing cave, start writing and don’t stop until their stories are done. They don’t shower. They don’t change their clothes. They’ve trained their cats to feed them while they type. (joking…sort of) They emerge from the writing cave extremely smelly with horror-flick-style bloodshot eyes but they are triumphant. Their stories are finished.

Then they fall into a deep sleep for about a month.

Note: This isn’t procrastination, which is another serious writing issue. We’ve written our words for the day. This refers to a writer not having the ability to write 24 hours a day, 7 days a week, 365 days a year. (Unless you’re Nora Roberts but we suspect she’s an android.)

Why Is Your Favorite Writer Cheating On Her Series With Another Story?

This can be an even more challenging issue for readers to understand. Your favorite writer is writing but, gasp, she’s not writing the next story in your favorite series. That beyotch! She’s cheating on her series. Doesn’t she love this series and her series readers anymore?

I’m 99% confident she does. My guess is she loves the series more than any reader ever could. The characters are family to her. But it can be challenging to spend 24 hours a day, 7 days a week, 365 days a year with even the loveliest family members. She sometimes needs a vacation from them.

EVERYONE is likely telling her not to take this vacation. Her readers, editor, agent, publisher, even many of her writing buddies are likely telling her it is career suicide to take a break from her most popular series. She might lose her readers forever. She’s messing with the momentum of the series. She also realizes she’ll receive angry emails and messages from readers. Some of these messages will be REALLY harsh.

Yet she takes this break. Why? Very often this is because she knows if she doesn’t, her brain aka muse will shut down and she won’t be able to write ANYTHING. Writing this other story, often a story that won’t sell as well and might not even break-even (*cough* my contemporaries), might allow her to return to her popular series refreshed and excited.

Again, being the stubborn gal I am, I’ve forced myself to write the next story in a series when I knew, deep down in my heart, I needed a creative break from it. I wrote garbage for three months. All those words had to be discarded. If I had switched to the side project, I would have finished that project AND the first draft of the next story in the series. Readers would have received the next story in the series sooner.

Some writers can stay in the same series without switching. Some writers switch between different series in the same subgenre, juggling two SciFi Romance series, for example. Some writers have to get the heck out of the subgenre entirely. They might juggle a Paranormal Romance and a SciFi Romance as one example. They don’t necessarily WANT to do this. They NEED to do this.

As readers, we don’t have to be thrilled about this but we should realize that it is part of our favorite writer’s creative process. This is why she is able to write the stories we love.

Reading buddies, are there any other writer quirks that you’d like to learn more about? Writing buddies, do you have a cap on your daily word count? Do you have to switch series?

***

Subscribe To My Release Day Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Wild. Free. Hers.

Mayhem has spent his lengthy lifespan obeying the Humanoid Alliance’s rules. Finally free from their cruel control, the cyborg warrior plans to cause chaos. He infiltrates a remote settlement, provokes the savage locals until they want him dead, and allows himself to be captured by the sexiest little Retriever he has ever laid his mechanically-enhanced eyes on.

Imee’s sole mission in life is to keep her family alive. To do this, she must hunt rebels, returning them to the Humanoid Alliance’s evil clutches where they will be executed. She doesn’t allow herself to feel anything for her targets…until she meets a tall, muscular cyborg with wild hair and even wilder eyes.

With his sure hands, laughing lips and erotic holds, Mayhem makes Imee’s body sizzle and her resistance melt. Their love is doomed. She must deliver the warrior to his death or she’ll place her family’s safety at risk. But she can’t resist him.

Imee soon discovers that Mayhem, life, and love are never predictable.

Chasing Mayhem is Book 6 in the Cyborg Sizzle series and is a STANDALONE story.
It is also a BBW Cyborg SciFi Romance.

Buy Now:

Amazon US: https://www.amazon.com/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY#nav-subnav

Amazon UK: https://www.amazon.co.uk/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/chasing-mayhem/id1136333685

ARe: https://www.allromanceebooks.com/product-chasingmayhem-2077430-340.html

B&N: http://www.barnesandnoble.com/w/chasing-mayhem-cynthia-sax/1124139998

Kobo: https://store.kobobooks.com/en-us/ebook/chasing-mayhem

Topics: Writing Tips | 1 Comment »

Gods Of Egypt And Deus Ex Machina

By Cynthia Sax on October 1, 2016

I watched Gods Of Egypt ( http://www.imdb.com/title/tt2404233/ ) on Friday. This visually beautiful movie is a clear example of Deus ex machina gone wild.

What is Deus ex machina? According to Wikipedia ( https://en.wikipedia.org/wiki/Deus_ex_machina ), it is “a plot device whereby a seemingly unsolvable problem is suddenly and abruptly resolved by the inspired and unexpected intervention of some new event, character, ability or object.”

The literal translation is God from the Machine. I’ve heard it referred to as ‘the hand of God’ because it resembles a supreme being swooping down with his/her big hand to save the day.

In Gods Of Egypt, this happens again and again. For example, Horus regains his wings during a to-his-death plummet just in time to save himself. Why then? We’re not quite sure. In another scene, they’re stranded in the middle of nowhere and his heroine sends a chariot propelled by birds to transport them. Did we know she had a chariot propelled by birds? Nope. There are many more scenes in which the heroes are magically saved.

It was wearying and frustrating for me, the viewer. Why? The biggest reason is because there’s no logic to the story. Random shit happens. Yes, random shit happens in real life but we usually don’t like that. Some of us absolutely hate it. And we usually don’t want to see this in our entertainment. We want our entertainment to make sense.

I say usually because, as with any so-called writing rule, there ARE times when Deus ex machina works for a story. Maybe the theme of the story is chance. Maybe, as with Lord Of The Flies, it is used to save the reader from the otherwise inevitable grim-as-fuck ending (that even more terrible things happen to the boys). Even the writer, William Golding, called that a gimmick, however. He knew he was being tricksy.

The use of Deus ex machina is sometimes seen as lazy writing. Often a little foreshadowing can eliminate it entirely. If Horus in Gods Of Egypt had experienced short instances of being able to regain his wings before the plummet, I would have happily embraced that solution. If his heroine had used the chariot a couple of times in previous scenes, I would have believed she’d send this magical taxi for Horus. I normally like to hint at the upcoming solution at least twice before it happens (the power of three is not to be underestimated – grins).

But-but-but I want to surprise/shock/thrill the reader, you say. The I-See-Dead-People Sixth Sense movie ( http://www.imdb.com/title/tt0167404/ ) had perhaps one of the best twists I’ve ever experienced. Yet when I re-watched the movie, I realized all of the hints were there. I SHOULD have seen the twist. I didn’t. THIS is what makes this movie brilliant- viewers could have predicted the ending but almost all of us didn’t.

We’re romance writers. We know we have this power. Heck, we tell our readers flat out “This story is a romance. It will have a romantic happy ever after or happy for now” and then, if we do our jobs correctly, we convince readers at some time during our story that our couple (or more) won’t end up together.

What other genre does this-tells readers the ending of the stories and then convinces them that ending won’t happen? None. We have skills, folks. Believe in our skills. Use them to thrill and amaze our readers.

Note: You will ALWAYS have at least one reader/reviewer who guesses the twist. We have some of the most intelligent people on the planet reading our novels. One of them will guess correctly.

As a writer, you want this. You want a nice mix between readers knowing the twist and readers not seeing it coming. That’s when you know you’ve hit the sweet spot, the spot that will have readers re-reading your story to find all of the clues.

What are some of your tips to eliminate Deus ex machina?

***

Subscribe To My Release Day Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Wild. Free. Hers.

Mayhem has spent his lengthy lifespan obeying the Humanoid Alliance’s rules. Finally free from their cruel control, the cyborg warrior plans to cause chaos. He infiltrates a remote settlement, provokes the savage locals until they want him dead, and allows himself to be captured by the sexiest little Retriever he has ever laid his mechanically-enhanced eyes on.

Imee’s sole mission in life is to keep her family alive. To do this, she must hunt rebels, returning them to the Humanoid Alliance’s evil clutches where they will be executed. She doesn’t allow herself to feel anything for her targets…until she meets a tall, muscular cyborg with wild hair and even wilder eyes.

With his sure hands, laughing lips and erotic holds, Mayhem makes Imee’s body sizzle and her resistance melt. Their love is doomed. She must deliver the warrior to his death or she’ll place her family’s safety at risk. But she can’t resist him.

Imee soon discovers that Mayhem, life, and love are never predictable.

Chasing Mayhem is Book 6 in the Cyborg Sizzle series and is a STANDALONE story.
It is also a BBW Cyborg SciFi Romance.

Buy Now:

Amazon US: https://www.amazon.com/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY#nav-subnav

Amazon UK: https://www.amazon.co.uk/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/chasing-mayhem/id1136333685

ARe: https://www.allromanceebooks.com/product-chasingmayhem-2077430-340.html

B&N: http://www.barnesandnoble.com/w/chasing-mayhem-cynthia-sax/1124139998

Kobo: https://store.kobobooks.com/en-us/ebook/chasing-mayhem

Topics: Writing Tips | 1 Comment »

Creating Unique Character Descriptions

By Cynthia Sax on September 29, 2016

I followed a reader discussion last week on character descriptions. The consensus was that many of the descriptions were…well…boring as hell. Every hero was ‘handsome.’ Every heroine was ‘beautiful.’ Some readers questioned if descriptions were needed at all.

When a reader questions whether or not a passage is needed, we, writers, know we have work to do.

I’ve been guilty of poor character descriptions in the past. I’ve described my characters the way I see them, using the words I would use.

And that’s the issue. I’m not the point of view character. A cyborg hero or a billionaire businessman hero or bada$$ biker hero would view his heroine much differently than I, a human female writer, would.

On Saturday, I watched Race, a movie about Jesse Owens. This movie was brilliant for a number of reasons. The storytelling and characterization was tight. It also gave us great examples of how different people first view the same person (Jesse Owens). The football coach saw race. That was his first impression of Jesse Owens. The track and field coach, in contrast, saw someone who could run fast, who had natural athletic ability. That was what he considered important. The German filmmaker, ironically, didn’t see race first. She saw an interesting character, someone who could add excitement to her film.

How a character is described can say as much about the point of view character as it says about the character being described. What does our point of view character notice first?

The cyborgs in my stories are manufactured to be warriors. They value strength, size, power. The first thing Barrel, the cyborg hero of this December’s freebie short story Jumping Barrel, notices about Nola, his heroine, is her big hair (it’s humid and she has big time frizz). He has never seen a female with so much hair. In his mind and in his processors, this makes her ‘the best’ (which is also important to cyborgs as only the best warriors survive training).

Can the hero be described as ‘handsome’ and the heroine be described as ‘beautiful’? Of course. If the point of view character would use those specific words. But the concept of ‘handsome’ and ‘beautiful’ should reflect the point of view character’s vision. For example, a badly scarred hero might think anyone with flawless skin is beautiful. Or a hero with brightly-colored tattoos might think anyone with blue or green or orange hair is beautiful.

For me, ensuring descriptions reflect both the point of view character and the character being described is a task for the second draft. Being a pantser (a writer who writes by the seat of her pants, without knowing the plot), I often don’t have a strong grasp on my point of view characters at the beginning of the first draft. Once I’ve written the first draft, I know the nuances of their personalities, their strengths, weaknesses, goals, fears. I can incorporate these into the description.

How do you make your character descriptions unique?

***

Subscribe To My Release Day Newsletter: http://tasteofcyn.com/2014/05/28/newsletter/

Wild. Free. Hers.

Mayhem has spent his lengthy lifespan obeying the Humanoid Alliance’s rules. Finally free from their cruel control, the cyborg warrior plans to cause chaos. He infiltrates a remote settlement, provokes the savage locals until they want him dead, and allows himself to be captured by the sexiest little Retriever he has ever laid his mechanically-enhanced eyes on.

Imee’s sole mission in life is to keep her family alive. To do this, she must hunt rebels, returning them to the Humanoid Alliance’s evil clutches where they will be executed. She doesn’t allow herself to feel anything for her targets…until she meets a tall, muscular cyborg with wild hair and even wilder eyes.

With his sure hands, laughing lips and erotic holds, Mayhem makes Imee’s body sizzle and her resistance melt. Their love is doomed. She must deliver the warrior to his death or she’ll place her family’s safety at risk. But she can’t resist him.

Imee soon discovers that Mayhem, life, and love are never predictable.

Chasing Mayhem is Book 6 in the Cyborg Sizzle series and is a STANDALONE story.
It is also a BBW Cyborg SciFi Romance.

Buy Now:

Amazon US: https://www.amazon.com/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY#nav-subnav

Amazon UK: https://www.amazon.co.uk/Chasing-Mayhem-Cyborg-Sizzle-Book-ebook/dp/B01IRPO9WY/

Apple/iBooks/iTunes: https://itunes.apple.com/us/book/chasing-mayhem/id1136333685

ARe: https://www.allromanceebooks.com/product-chasingmayhem-2077430-340.html

B&N: http://www.barnesandnoble.com/w/chasing-mayhem-cynthia-sax/1124139998

Kobo: https://store.kobobooks.com/en-us/ebook/chasing-mayhem

Topics: Writing Tips | No Comments »

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